Writing for Billboard magazine, Jason Lipshutz felt that Mars' most impressive thing was the list of songs that was on the set list during his performance.
BRUNO MARS ELLIE GOULDING TOUR HOW TO
You could see it in Saturday night’s audience-there were baby boomers, babies of boomers, babies of babies of boomers, and in Section 100, an actual baby." However he criticized the fact "he still needs to learn how to assert his personality through all of his genre-jumping time travel." and "Put the Hooligans, the name of the backing band, on that ticket stub, too." Which is to say, it was fantastic." The reviewer also metioned the wide ranges that Mars aprochs "hopscotched through Motown, new wave, late-’70s funk, mid-’90s R&B, flaunting a pop fluency that’s earned him a vast and diverse horde of admirers. A disco ball the size of a Toyota Prius." The performance of the singer who sold out Washington’s Verizon Center was "one of those rare, thrilling, upside-down pop concerts where instead of rigidly trying to recreate the high sheen of various hit singles, the singer takes complete control of the songbook, reshaping it at will. John Marx, in an interview to Billboard confessed that the decision of making the 'leap from smaller venues to arenas, it’s never an easy one' and added 'you take precautions to make sure that you don’t leave any empty seats.'Ĭhris Richards' review for The Washington Post was glowing in its praise, "Sprawling video screens. This decision came from the success that Mars was experiencing not only for the sold out arenas but also due to the dynamic performances. On January 2012 it was decided that Bruno Mars would not play in any theaters or ballrooms like on the previous tour.
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